Whenever I go to a fun restaurant or bar, I keep a lookout for matches. They’re nice little mementos to take home and I like keeping a small collection. So, I thought, maybe it would be cool to make classic rock-inspired matchbook covers just in time for Valentine’s Day. And with my husband being a huge Bruce Springsteen fan, of course I HAD to include our wedding song, “Fire.”
Or you can design your own—perfect for wedding or shower favors. To create your own matchbook covers, flatten the matchbook and measure it around from the strike strip to the edge of the flap. Then, in your design program, enter the dimensions and create something fun!
I found these matchbooks in bulk in my grocery store
Next, print your design or the PDF in this post on 8-1/2” x 11” sticker paper. Trim the cover using the crop marks in the PDF and then align the sticker on the matchbook with the shorter end of the sticker flush against the strike strip. The side of the matchbook with the flap is a little longer. Press the sticker firmly, then fold and tuck the matchbook flap.
I dare you not to sing these songs while you’re making the matchbook covers!
Olivia Pope’s Salvatore Ferragamo coat from Season 2 (photo credit: ABC/Nicole Wilder)
A sure sign of a show hitting the country’s pop culture zeitgeist is when you check your Twitter feed and all you see are tweets related to #Scandal. Especially when it’s between 10-11:00 pm EST on Thursday nights. For me, ABC’s Scandal is appointment television and I’ve got my iPhone ready to go to live tweet my astonishment at every oh-no-they-didn’t-just-do-that plot point. And while I’m glued to the TV, I’m also ogling the awesome, ultra-feminine wardrobe that Kerry Washington gets to wear as her D.C. fixer character, Olivia Pope.
Lately, Olivia Pope’s wardrobe has been all about the coats. They are so luxe and gorgeous! So while we must wait until February 27th for new episodes (why!), below are some sewing patterns you can use to create your own Olivia Pope-worthy coats.
Like the costumes on Suits, Olivia Pope’s clothes are all about the necklines. In season 2, Olivia Pope wore this light pink, oversized wrap coat by Salvatore Ferragamo. The wool and cashmere coat retailed at over $1,700.
Vogue 1321, Donna Karan Collection
However, Vogue Patterns has this Donna Karan pattern above (Vogue 1321), that could easily look like the Ferragamo coat, but at a price tag with less zeros.
From Season 2, Episode 14, “Whiskey Tango Foxtrot” (credit: abc.go.com)
Oh this Max Mara coat! And with the long gloves! So iconic…And get this–Vogue has a similar pattern to this coat as well:
Very Easy, Very Vogue–V8861
Season 2, episode 10 “One for the Dog”
I had a tougher time finding a pattern for this Ann Demeulemeester double-breasted military jacket. However, if you alter the Simplicity 2508 below, it makes a nice alternative. And with the right fabric, you can make any of those patterns worthy of a Olivia Pope coat.
People, we have 39 days until Scandal is back. Who’s makin’ a coat?
P.S. While I was researching this post, I found this video gem from online retailer, Bluefly, made with Kerry Washington in 2012 about Olivia Pope’s wardrobe:
Last year, after I made my little lobster ornament, I was revved up to come up with other felt ornament ideas. I adore gingerbread men, but what twist could I make on a traditional theme? OMG, I gotta make a hipster gingerbread man ornament!
In New York City (or any major U.S metropolitan area, I’d imagine), if you work in a creative field or venture to an of-the-moment restaurant or bar, you’ll invariably run into a subculture—that of the hipster. For me, it’s easier to describe the fashion of a hipster guy than a hipster girl. Usually, the guys have large, black plastic glasses, bushy beards, slouchy knit hat, plaid flannel shirt and skinny dark jeans rolled at the ankle. It’s grunge for the 2010s.
What’s great about this project is that aside from the body and the beard, you can use whatever fabric scraps you have lying around. Also, if you have a small 2-foot tree like I do, the ornament doesn’t look too big—he’s only 6-1/2” inches tall.
1. Print and cut out the hipster gingerbread ornament pattern. Fold brown felt in half and pin the gingerbread body pattern to felt. Cut fabric. Do the same for the shirt, vest and pants.
2. Pin the gingerbread body pieces together and using 2-ply of the dark brown embroidery floss, sew the edges together using a blanket stitch. Leave a small opening between the arms and legs and gently stuff the ornament with the fiberfill. Sew the hole closed.
3. Sew the side seams of the denim pants with right sides together. Turn the pants right side out and put on the gingerbread man. Cuff the pants.
4. Pin the two shirt pieces to the gingerbread ornament and hand-stitch the shirt together as close as possible. You will need the shirt to hug the gingerbread man so that it won’t appear bulky under the vest. Fold sleeves under.
5. With right sides together, sew each vest front to the vest back. Turn right side out and put it on the ornament.
6. For the beard, cut a small length of the curly doll hair. Bunch it together wrap a piece of thread around it to keep in contained. Then sew to the bottom of the gingerbread face.
7. Use the hole punches on the card stock to create the glasses. Cut out a small, narrow strip of paper for the bridge and attach to the glasses with either craft glue or tape. Attach the glasses to the gingerbread face with a small bead of craft glue.
Oh no, Mr Bill! That lobster is about to eat the hipster gingerbread man!
It’s that time of year again and it’s time to make cookies! This year I’m attending a friend’s cookie swap party. And this friend is a professionally trained baker. No pressure or anything!
I came across this cookie recipe in Self magazine’s December issue. The photography drew me in (my cookies in no way look like the magazine photos!) and then I read the recipe and I was sold. It’s the perfect blend of salty and sweet. And it’s very easy to make—perfect for a cookie swap!
6 tablespoons unsalted butter, at room temperature
1 cup sugar
¼ olive oil
1 tsp vanilla extract
2 oz dark chocolate (60-70% cacao), chopped
¼ cup dried cherries
½ cup pistachios, shelled and finely chopped
In a medium bowl, combine flour, baking soda and salt. Separately, using a standing mixer, combine butter, sugar and olive oil until well blended. Add eggs and vanilla extract. Slowly add flour mixture in small batches. Stir in chocolate and cherries.
Divide dough in half and roll into two logs, about 2” by 8” long. Wrap in plastic wrap and freeze for 45 minutes.
Preheat oven to 350 degrees. Line two cookie sheets with parchment paper. Spread chopped pistachios on a cutting board and roll the chilled cookie dough. If the nuts do not stick to the dough, press the nuts into the dough. Cut each log into 20 cookies and spread evenly the cookies sheets. If there is any left over chopped nuts, sprinkle them on the cookies. Gently press the cookies so they are flat and round. Bake for 8-10 minutes. Transfer cookies to a wire rack and cool.
If you are making these cookies as gifts, I typed out the name of the cookies and printed them on 65# card stock. If you would like to print them out, you can download my PDF here. Then, using a 1.5″ circle punch, I punched out the tags and used a hole punch at the top. I ran out of ribbon so I used some yarn I had on hand for a rustic touch.
Once you and your friends taste these cookies, you will die and go to heaven. Happy Holidays!
I couldn’t help but wonder how 1998 was also a pivotal year for me. I graduated from college and more importantly, I moved to New York three months later. I had no idea what I was getting myself into.
1998 Working in the City
After a bit of hustling, I landed my first job as a production assistant at popular women’s magazine. I couldn’t believe my good luck. When I started at the glossy, it was still magazine publishing’s heyday and everyone from sales reps to editors looked super slick. In those first few months, I looked like Laura Ashley in a sea of Carrie Bradshaws. At the weekly sales meetings, the young sales reps would be poring over the New York Times and Time Out NY restaurant reviews, deciding which posh places they’d take their clients to next. It was all about the expense account, baby.
I cannot stress enough how Sex and the City was THE show to watch. Each week, one of the assistants would tape the show and we’d watch it during lunch in one of the conference rooms while eating our salads.
My boss scared the living crap out of some of the sales reps. More than a couple would leave her office in tears. She had lungs too—especially when she was singing and headbanging to Collective Soul in her office. Luckily for me, I liked Collective Soul too. I didn’t have to answer her phone much, but I do remember fielding calls from her astrologer, Andi (“it’s A-N-D-I”), on occasion. For fun, my boss would map out co-workers’ astrological charts and teach them how to knit. I have never had a boss like her since, but I think I learned the most about magazines in that first year.
1998 Living in the City
Before I got the job, I had been researching neighborhoods all summer and randomly, in a book called, The Newcomers Guide to New York, I found a list of temporary residences. Immediately, my parents and I made a trip to the city to take tours. Most were pretty depressing, but our last stop was at the Webster Apartments, a Barbizon-type, women-only residence on West 34th Street. The founder, Charles Webster, opened the building in 1923 as housing for unmarried working women. Back then, this was particularly advantageous for the shop girls working at Macy’s, just two blocks away. Did I mention that Webster was also Roland H. Macy’s first cousin??
I put my name on the waiting list and as luck would have it, within days of getting my job offer, the Webster notified me that they had a room available. Perfect timing!
For that time in my life, the Webster Apartments was perfect–it was a smooth transition from college dorm living to being on my own. I had a room so tiny that if I stretched my leg, I could touch the wall opposite my twin bed with my toe. But, rent was reasonable (it was based on income) and included breakfast and dinner in the cafeteria. For my parents, they loved it because of the no-boys above the ground floor policy (boo!) and the permanent security guard by the front door. Their oldest girl would be safe in the big, bad city.
The Webster, or what I called it then, The Convent, had quite the cast of characters. It was mostly made up of seasonal interns, usually European, girls new to the city, like me, and old ladies. While there, I met made many friendships, but they always temporary, since most girls only lived there a couple of months.
Many of the Europeans, especially the German girls, would form cliques and cling together for dear life, but occasionally some would stray from the pack—especially those that wanted to improve their English. It wasn’t too long before I had my own social group of German, Austrian, French, Canadian and American girls that I could pal around the city with.
1998 Nightlife in the City
Clubbing was the thing to do on the weekends in the late 90s. If you knew a promoter, you were set. My first attempt at getting into a club was a total failure. Of course, it was at Spy Bar, one of the toughest clubs to get into, and the front door was manned by a snooty, Euro-trashy man with a clipboard who sneered at the group of us, “Are you on the leeeest?” Truth be told though, we had been schlepping around the city all day and hardly looked like the kind of gals who got past the velvet rope. Not long after that, I got the lay of the land and came up a list of rules to live by when going out.
Wardrobe for going out—slim-cut black pants (no jeans!) or skirt with a cute top
To get into the major clubs, leave a message on promoter Baird Jones’s answering machine to get on the list with a discounted cover charge
Save money on drinks by pre-gaming at dive bars before hitting the clubs
If there are drag queens, then you are at an awesome club
Read Time Out NY every week – it’s the nightlife bible
Regular club rotation: Webster Hall, The Limelight, Culture Club
Looking back, 1998 seems so quaint. Part of it was also because I was living it as a 22-year old and everything felt so new. Annnnd 15 years later I probably romanticize that time a little. Oh well. OK, enough navel gazing and back to our regularly scheduled programming.
Fall is my favorite time of year. To me, it means pumpkin lattes, boots….and scarves! Over the years I’ve amassed a small scarf collection and I look forward to bringing them out of hibernation as soon as there is a slight chill in the air. Here’s the weird thing—I’ve never sewn a scarf. I’ve only knit them.
So, remember how I had a major craft-fail with my first Jalie scarf-collar top? I was crushed since the fabric I had used was this luscious, faux-Missoni knit that I bought at Fabric Place Basement outside Boston. Well, I was able to salvage some of the fabric to make this infinity scarf. Score!
Infinity scarves are so easy to make too. And, it’s the perfect sewing project to use up any of the fabric scraps you have in your stash. Be sure to use a fabric that is thin, but has decent body to it. If you want more of a cowl look, just make the panel wider.
Cut out a long length of fabric. For my scarf, I cut out a panel 14” wide x 64” long.
Fold the panel in half length-wise, with right sides together. Pin and then sew the seam.
Turn the scarf so it’s right side out. Hand-stitch the ends together.
Last month, I realized when I was assessing my closet that I was in dire need of cute, patterned tops to pair with blazers for work. See, I recently started a new job in graphic design (yay!) and needed to kick my wardrobe up a notch. Luckily I had bought this Jalie pattern for a scarf-collar top I had been meaning to try.
I’ve learned the hard way that it’s better to research other peoples’ experiences with a pattern or recipe before jumping right in. I’m so glad I did! Many reviewers on PatternReview.com noted that they had raised the neckline a little, since with the tie, it hung a little low. I did the same. For me, I just needed to grade the neckline up an inch.
This was actually my second Jalie scarf-collar top. I had sewed the short sleeve version of the top in a faux Missoni print that was simply gorgeous. However, when I tried it on, I realized that I hadn’t cut the fabric out correctly. Yeah, the fabric should stretch around the boobs, not squish them! I definitely looked like a stuffed sausage. So that was a craft fail. All is not lost though. I did recover enough fabric for another project that I’ll post soon.
Aside from that, this was one of the easiest patterns I’ve ever sewed. The construction of connecting the scarf to the top was pretty unusual, but it was fun! This pattern is a keeper. I’m sure I’ll also sew the other versions this season.
So my lesson with this pattern—pay attention to where the selvage is!